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Uploaded: 03/06/16 12:23 AM GMT
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My Last Post . . from the Te Papa exhibition :Gallipoli:The Scale Of Our War

This is a shot of one of the painted backdrops in the exhibition.

Some of you have asked if the figures are 'waxworks' . no, they are not. Each sculpture has a fibreglass body, built in sections that bolt together, the skin is silicone, molded and hand painted. The clothing was all made to exact (enlarged) patterns from geuine uniform fabrics. The scalp and the facial and body hair is human hair..Each head of hair took between three and six weeks to install as each strand of hair was punched in by hand . Some of the smaller items (e.g. flies on open tins of corned beef) were created with 3D printers. The figures are 2.4 x normal size. Weta Workshop spent more than 24,000 hours creating the eight figures, along with the associated exhibition elements of their lives and stories, including countless hours researching their histories.The triptych of machine gunners Carkeek, Hawkins, and Warden took the longest to build, requiring nearly 9,000 labour hours from early creative inception to completion. Each sculpted figure is between 90 and 150kgs in weight.
The exhibition cost eight million dollars to create and will run for four years. Admission is free.
Lead curator Kirstie Ross of Te Papa said the exhibition challenges certain myths around the eight month Gallipoli campaign. "Our job as historians and curators is to uncover the human stories, and not shy away from the tough realities."


I also visited another exhibition called 'The Great War' by Sir Peter Jackson at our War Memorial Museum. I will post some pictures from there at a later date.

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::Ramad
03/06/16 2:27 PM GMT
All images including this painting have been quite impressive Lyn. I was at Te Papa with my wife in 1998. I don't think these were there then. What impressed me there at that time was a video showing how New Zealand was formed by the movements on the earth's surface.
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Smooth seas do not make skilful sailors.
::biffobear
03/06/16 2:33 PM GMT
Nice image..Brings it home...R.
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I wish I was a Glow Worm, a Glow Worm's never glum, 'cause how can you be grumpy, when the sun shines out your bum?
::tigger3
03/06/16 3:03 PM GMT
I wondered about the time it must have took to make this, thanks for all of the information on their hard extensive work. Now I'm wondering what will become of this when the four years are up? I'm looking forward to the next series of the other exhibit. tigs=^..^=
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Nature in all her glory is my uplift on life and so is my love of photography. sandi ♪ ♫
::0930_23
03/06/16 3:56 PM GMT
Great information during this series LE.
I recently watched a movie "The Water Diviner," and although it was fictional, it made me aware of Gallipoli.

TicK


(Viewed Full Screen) ☂
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People are like cameras--sometimes they lose focus.
::trixxie17
03/06/16 5:00 PM GMT
You can clearly see the costs in the costuming and quality of the sculptures Lyn - really innovative and on such a large scale.
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. . . "What a desolate place would be a world without a flower! It would be a face without a smile, a feast without a welcome." A.J. Balfour
.gonedigital
03/07/16 8:21 PM GMT
There are some tragic personal stories about the Gallipoli conflict, it ultimately became a magnificent victory for Turkey and a appalling defeat for our allies. Winston Churchill made a right cock up too!

A thought provoking post that reminds me of the terrors of conflict, well done Lyn. (o:

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::luckyshot
03/08/16 12:41 AM GMT
Lyn - Your narrative provides much information about this amazing exhibit. The mural that you captured in this photo offers much to the exhibit. The personal trials of war are seen in the facial expressions. An outstanding series - thank you.
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If I could tell the story in words, I wouldn't need to lug around a camera. ~Lewis Hine The Earth without art is just 'eh'.
.koca
03/08/16 9:10 AM GMT
This is amazing, Lyn.
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.icedancer
03/08/16 6:14 PM GMT
A Fabulous way to the end of this wonderful series - this is a shot of the painting
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VIEWED IN FULL

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