Caedes

  Place Eau-de-Robec  

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Uploaded: 10/04/17 1:52 PM GMT
Place Eau-de-Robec
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Tne Met Rouen, Place Eau-de-Robec No paint brush used only the selection tool, no color added used only the color ajust slide. Was done in two layers. So no pixels added huuuummmm so if you think colorization is difficult well if you can work the color adjust slide and use the selection tool your 99% there enjoy. I claim no rights to this image just the colorization. Public Domain The person who associated a work with this deed has dedicated the work to the public domain by waiving all of his or her rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission Artist:Eug�ne Atget (French, Libourne 1857�1927 Paris) Date:1908 Medium:Matte albumen silver print from glass negative Dimensions:Image: 22.7 x 17.4 cm (8 15/16 x 6 7/8 in.) Sheet: 22.9 � 17.7 cm (9 in. � 6 15/16 in.) Classification:Photographs Credit Line:Gilman Collection, Purchase, Sam Salz Foundation Gift, 2005 Accession Number:2005.100.516 Not on view Signatures, Inscriptions, and Markings Provenance References Timeline of Art History (2000-present) Department Photographs (36,105) Artist / Maker / Culture

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.rvdb
10/04/17 5:51 PM GMT
No paint brush used only the selection tool, no color added used only the color adjust slide. Was done in two layers. So no pixels added huuuummmm so if you think colorization is difficult well if you can work the color adjust slide and use the selection tool your 99% there enjoy.
0∈ [?]
The reason why the sun sets in the evening is because it wants to see the sunrise in the morning. I rise in the morning because I want to see them both. RvdB
::tigger3
10/04/17 5:52 PM GMT
Rob, again no matter what you do with your editing, you always get great results. Tigs=^..^=
20∈ [?]
Nature in all her glory is my uplift on life and so is my love of photography. sandi ♪ ♫
::corngrowth
10/04/17 7:25 PM GMT
Rob, I've viewed the original image, and the by you achieved result.
I've read your narrative and additional comment. Think that you try to seduce us to do an attempt, ☺ .
If so, I have to disappoint you. Simply because your masterful way of editing can't (hardly) been improved.
Would be a waste of time with a lot of frustration from my side as result.
So, let me only enjoy the result of your done, and by me admired, effort, my friend!
20∈ [?]
Try to change what you can't accept, but accept what you can't change. Please CLICK HERE to see my journal! Feel free to save my images or to add them to your favorites.
.GomekFlorida
10/04/17 11:01 PM GMT
Very nice colourisation of this old find. I wonder what life she had, that's what I like about pictures such as this.
21∈ [?]
Long before the white man and long before the wheel, when the dark green forests were too silent to be real. Lightfoot 1967
::LynEve
10/05/17 11:55 AM GMT
I have no clue as to how you achieve your fabulous results - just that they are splendid.
Your talent in the colourisation is enhanced by your incredible 'feel' for just the right colours for each work, making them look so natural.
20∈ [?]
My thanks to all who leave comments for my work and to those of you who like one enough to make it a favourite. To touch just one person that way makes each image worthwhile. . . . . . . . . .. . . . "The question is not what you look at, but what you see" ~ Marcel Proust
::Nikoneer
10/09/17 5:45 PM GMT
This really is an outstanding image, with lots of clues with which to try to identify it... I say "try" because it did foil my efforts. The details on the door lintel above the girl are varied and the machinery I can see through the opening to the right of the door is in such a position as to make me believe it's a part of what's behind the scene's decorative door, essentially that the concern behind that door extends to the right. The business on the left is obviously a cafe, but the door and business behind her is only a guess. We can see the shoulder of a workman standing in near shadow at the very far right, on the other side of that pallet (?). Add in the machinery and the depth of that opening, plus the two small characters on the door frame, on either side of the girl, who appear to be reading oversized books, leads me to think this may have been a printing company. Above, the caricatures of the bishop killing a snake on the left, and the queen holding a child on the right, may simply be decorations, as are the crowns above them (unless, of course, the name of the company has a hint of royalty to it?). Whatever the case, the biggest clue to me are those two wee fellas holding the huge books. In the past several centuries, characters like those were indicative of people or establishments associated with books; their production, selling, or use. For me, Rob, your colorization of the scene gives it a feeling of mystery, as though I was looking at a somewhat newer view (in the early days of color photography) that somehow managed to capture the impression of either the beloved daughter of the owner or a young lass who died there in an unfortunate workshop accident. I like how some of the images you choose to colorize and submit make me really think... at my age that's a healthy form of exercise.

-Nik
22∈ [?]
If you've ever wanted to make a difference but found it hard to believe that one person could... check out the Kiva Team Caedes discussion thread and discover that anything is possible.
.icedancer
10/12/17 12:03 AM GMT
A sweet young lady posing in front of that lovely old door - another fabulous work
22∈ [?]
VIEWED IN FULL

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