I like the sense of motion as you go from the cars ahead that appear to be still to the cars to the back that are clearly in motion. I think it would work better cropping out the majority of the lightposts on the left side, which would really highlight the motion of the train and the strong red which is stunning here.
I agree with Cat. For an even more dramatic framing, I'd crop even further in from the left, completely eliminating all but the train itself. This would leave an image of pure motion. The downside is that it might be a bit too abstract for some, and eliminate what some would feel to be a necessary context. Still and all, the shot itself is a cool capture. Nice job.
People aren't going to remember the things you do. They're going to remember how you made people feel. Be kind, gracious, and appreciative. Dan Winters - Photographer.
Congratulations on your win. This was a great entry and I had it on my winners list too. It's a really visceral interpretation of the subject and the framing is terrific. Very kinetic.
The reason why the sun sets in the evening is because it wants to see the sunrise in the morning. I rise in the morning because I want to see them both. RvdB
My thanks to all who leave comments for my work and to those of you who like one enough to make it a favourite. To touch just one person that way makes each image worthwhile. . . . . . . . . .. . . . "The question is not what you look at, but what you see" ~ Marcel Proust