From a purely technical point of view, I'd say that your closeup is good. The depth of field that you chose to use shows up the two features in the front very well with no distracting blurred bits in the foreground, which in my experience, is not the easiest thing to do. So that leaves the background pleasantly blurred.
"I never looked for it, gave it no name; yet I knew it always, when the gift of peace came. I stood quite still for the moment that it lasted...Then the light shifted slightly and the moment passed, leaving me...with the lasting echo of its presence.." Diana Gabaldon
Going in, I'll say this about me -- I have a bent for the macro because it explains the elements of being to me, and I love b&w because it cancels out my color addiction. Given those innate plusses, this is a fascinating pic because it takes us where we don't ordinarily go and gives us a nose-to-reality understanding of something very basic: where do roads come from and how do we make things?
All "conceptual" aside, I like the use of depth of field to define the area of interest (the thingy at the 1/3rd from the left "sweet spot" and it's friend at the far right), while still conveying the larger context moving off into perpetuity. Good gray-tone range. Good use of available (?) -- or anyway, subtle -- light.
♫ PJ ♫