Caedes

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Uploaded: 03/31/05 5:04 PM GMT
Macro
Views: 1224
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flower macro w/ strong shadow

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Tricky706
03/31/05 5:46 PM GMT
Anthony I love this. It's so soft. It just draws emotion, I adore it. I'm so glad to see you're sharing your photos with us again. ;o) 10/10 fav
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There's an emptiness inside her and she'd do anything to fill it in. Though it's red blood bleeding from her now, it's more like cold blue ice in her heart. She feels like kicking out all the windows and setting fire to this life. She could change everything about her using colors bold and bright, but all the colors mix together...to grey. ~*DaveMatthewsBand*~
bailra01
04/01/05 8:05 AM GMT
Gorgeous and stunning! I like the angle and crop of the picture... very beautiful =)
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::dreamer100
04/02/05 12:46 AM GMT
I love the overall hazy, diaphanous look to this one. The light is beautiful and the black is so strong against the delicate white. Bravo!
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LiquidguitarJP
04/04/05 10:58 PM GMT
Very, Very, nice! This one looks very good in B&W, as I'm sure it did in color too.
The angle really makes the depth in this one. And the angleing really was done quite nicely. Looks very nice at full screen. I give this one a 8* the Shadow really adds to the depth of this too. Also the bordering and framing is really ncie too.
This image is quite artistic!
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Gather ye Rosebuds While ye May, Old time is still A-Flyin' This same Flower that Smiles today, Tomorrow will be Dyin' My lonely image: The Eye of the Beholder's Cousin
::photoimagery
05/10/05 7:11 PM GMT
I like this shot, Anthony, and the fact you shot it b/w. The composition is dead on as is the lighting. I’ve always wondered why black & whites don't do that well here. I guess we live in a color oriented world. It gets a 10 by me and in my favorites.

The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist’s way of scribbling “Kilroy was here” on the wall of the final and irrevocable oblivion through which he must someday pass.
William Faulkner
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